Academy Awards 1968 Nominations

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Best Picture	Best Director
Best Actor	Best Actress
Best Actor in a Supporting Role	Best Actress in a Supporting Role
Best Story and Screenplay written directly for the screen	Best Screenplay based on material from another medium
Best Foreign Language Film	Best Documentary Feature
Best Documentary Short	Best Live Action Short Subject
Best Short Subject (Cartoon)	Best Original Music Score
Best Scoring of Music – adaptation or treatment	Best Song
Best Sound Effects	Best Sound
Best Art Direction	Best Cinematography
Best Costume Design	Best Film Editing
Best Special Visual Effects

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Best Picture

• Bonnie and Clyde
• Doctor Dolittle
• Guess Who's Coming to Dinner
• In the Heat of the Night
• The Graduate

Best Director

• Bonnie and Clyde (Arthur Penn)
• Guess Who's Coming to Dinner (Stanley Kramer)
• In Cold Blood (Richard Brooks)
• In the Heat of the Night (Norman Jewison)
• The Graduate (Mike Nichols)

Best Actor

• Bonnie and Clyde (Warren Beatty)
• Cool Hand Luke (Paul Newman)
• Guess Who's Coming to Dinner (Spencer Tracy)
• In the Heat of the Night (Rod Steiger)
• The Graduate (Dustin Hoffman)

Best Actress

• Bonnie and Clyde (Faye Dunaway)
• Guess Who's Coming to Dinner (Katharine Hepburn)
• The Graduate (Anne Bancroft)
• The Whisperers (Edith Evans)
• Wait Until Dark (Audrey Hepburn)

Best Actor in a Supporting Role

• Bonnie and Clyde (Michael J. Pollard)
• Bonnie and Clyde (Gene Hackman)
• Cool Hand Luke (George Kennedy)
• Guess Who's Coming to Dinner (Cecil Kellaway)
• The Dirty Dozen (John Cassavetes)

Best Actress in a Supporting Role

• Barefoot in the Park (Mildred Natwick)
• Bonnie and Clyde (Estelle Parsons)
• Guess Who's Coming to Dinner (Beah Richards)
• The Graduate (Katharine Ross)
• Thoroughly Modern Millie (Carol Channing)

Best Story and Screenplay written directly for the screen

• Bonnie and Clyde
• Divorce American Style
• Guess Who's Coming to Dinner
• The War Is Over
• Two for the Road

Best Screenplay based on material from another medium

• Cool Hand Luke
• In Cold Blood
• In the Heat of the Night
• The Graduate
• Ulysses

Best Foreign Language Film

• Bewitched Love (Spain)
• Chieko-sho (Japan)
• Closely Watched Trains (Czechoslovakia)
• I Even Met Happy Gypsies (Yugoslavia)
• Live for Life (France)

Best Documentary Feature

• A King's Story
• A Time for Burning
• Festival
• Harvest
• The Anderson Platoon

Best Documentary Short

• A Place to Stand
• Monument to the Dream
• See You at the Pillar
• The Redwoods
• While I Run This Race

Best Live Action Short Subject

• A Place to Stand
• Paddle to the Sea
• Sky Over Holland
• Stop Look and Listen

Best Short Subject (Cartoon)

• Hypothèse Beta
• The Box
• What on Earth!

Best Original Music Score

• Cool Hand Luke
• Doctor Dolittle
• Far from the Madding Crowd
• In Cold Blood
• Thoroughly Modern Millie

Best Scoring of Music – adaptation or treatment

• Camelot
• Doctor Dolittle
• Guess Who's Coming to Dinner
• Thoroughly Modern Millie
• Valley of the Dolls

Best Song

• Banning ("The Eyes of Love")
• Casino Royale ("The Look of Love")
• Doctor Dolittle ("Talk to the Animals")
• The Jungle Book ("The Bare Necessities")
• Thoroughly Modern Millie ("Thoroughly Modern Millie")

Best Sound Effects

• In the Heat of the Night
• The Dirty Dozen

Best Sound

• Camelot
• Doctor Dolittle
• In the Heat of the Night
• The Dirty Dozen
• Thoroughly Modern Millie

Best Art Direction

• Camelot
• Doctor Dolittle
• Guess Who's Coming to Dinner
• The Taming of the Shrew
• Thoroughly Modern Millie

Best Cinematography

• Bonnie and Clyde
• Camelot
• Doctor Dolittle
• In Cold Blood
• The Graduate

Best Costume Design

• Bonnie and Clyde
• Camelot
• The Happiest Millionaire
• The Taming of the Shrew
• Thoroughly Modern Millie

Best Film Editing

• Beach Red
• Doctor Dolittle
• Guess Who's Coming to Dinner
• In the Heat of the Night
• The Dirty Dozen

Best Special Visual Effects

• Doctor Dolittle
• Tobruk